An essay on the film raise the red lantern

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An essay on the film raise the red lantern

Plot[ edit ] Jack Lucas, a narcissistic, misanthropic shock jock, becomes suicidal and despondent after his insensitive on-air comments inadvertently prompt an unstable caller to commit a mass murder-suicide at a Manhattan restaurant. Three years later, Jack is working for his girlfriend Anne in a video store in a mostly drunken, depressed state.

One night, while on a bender, he contemplates suicide. However, he is attacked and nearly set on fire by thugs who mistake him for a homeless person.

He is rescued by Parry, a deluded homeless man who claims his mission is to find the Holy Grail. Parry tries to enlist Jack's help in getting the grail, explaining that the Fisher King was charged by God with finding the Holy Grail, but incurred an incapacitating wound for his sin of pride.

The King realizes the cup is the Grail and asks, "How did you find what my brightest and bravest could not? I only knew that you were thirsty. Parry, whose real name is Henry Sagan, had been a teacher at Hunter College. After witnessing his wife's gruesome death at the same mass shooting Jack had provoked, Henry had a psychotic break and became catatonic.

When he woke, he had taken the persona of Parry and became obsessed with the legend of the Fisher King. With Parry as his shielding persona, mentions of reality panic him and he is continually haunted by a terrifying, hallucinatory Red Knight. Jack seeks to redeem himself by helping Parry find love again.

Lydia, a shy woman with whom Parry is smitten, is prodded into meeting Parry and joining Jack and Anne for a dinner date. Following dinner, Parry walks Lydia home and declares his love for her; she reciprocates, but the brush with reality summons the Red Knight.

Fleeing his hallucinatory tormentor, he is attacked by the same thugs against whom he had defended Jack. Beaten mercilessly, Parry becomes catatonic again.

Jack, feeling whole again after 'saving' Parry, breaks up with Anne and begins to rebuild his career, but has a crisis of conscience during a sitcom pitch after snubbing a vagrant who had previously done him a favor. After finding out what happened to Parry, Jack dons Parry's clothing and infiltrates the Upper East Side castle of a famous architect and retrieves the "Grail", a trophy which Parry believes to be the real Grail.

During the theft, Jack finds the architect unconscious after an attempted suicide.

An essay on the film raise the red lantern

He triggers the alarm when leaving, alerting the authorities and saving the man's life. When he brings the Grail to Parry, the catatonia is broken and Parry regains consciousness.

Lydia comes to visit Parry in the hospital; she finds him awake and leading the patients of the ward in a rendition of " How About You? Parry and Lydia embrace. Afterwards, Jack reconciles with Anne, telling her that he loves her.

An essay on the film raise the red lantern

She slaps him, but then grabs and kisses him. Later, Jack and Parry lie naked in Central Park gazing at the clouds.Essay about Confucianism and Raise the Red Words | 6 Pages.

allowed the family to flourish as a group. In the movie Raise the Red Lantern, many types of customs and rituals were shown. Movie Assignment: Raise the Red Lantern The film is set in s China during the warlord era, years before the Chinese Civil War.

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Nineteen-year-old Songlian, whose father has recently died and left the family bankrupt, marries into the wealthy Chen family, becoming the fourth wife or rather the third concubine or the “Fourth Mistress.”.

Yi-Mou Zhang's Raise the Red Lantern, is a beautiful and brilliantly made film in its own right. If, however, the team of Orson Welles and Greg Toland had produced the same film it would take on an entirely different look and feel/5(5).

A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent iridis-photo-restoration.com first known public exhibition of projected sound films took place in Paris in , but decades passed before sound motion pictures were made commercially practical.

Yi-Mou Zhang's Raise the Red Lantern, is a beautiful and brilliantly made film in its own iridis-photo-restoration.com, however, the team of Orson Welles and Greg Toland had produced the same film it would take on an entirely different look and feel.

In ¡§Raise the Red Lantern¡¨, the red lantern, an invented icon here (and one accused of being a fake cultural signifier used merely for sensational purposes), is the film¡¦s central symbol and most important metaphor.

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